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Intellectual Foundations of China, by Frederick Mote. McGraw Hill Publishing, 114 pgs.


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If you study a martial art from a country influenced by the Chinese World View, this text undoubtably addresses concepts that comprise the intellectual and philosophical foundations of your art. Having a greater appreciation for the etiquette, traditions, and philosophy of a given martial art requires having a greater understanding of the modes of thought prevalent in its parent culture. This book is an objective overview of these Chinese philosophies. One doesn’t have to be labeled a practicing Taoist or Confucian to appreciate how these traditions have influenced their societies (and thus, the martial arts of those societies). Indeed, the book treats these “intellectual foundations” as philosophies rather than religions, void of any evangelical tone and focusing on their impact on society and government. Of particular interest to GMA students is the discussion of the Confucian concept of Chun-tzu ("Kunja" in Korean), or superior man, the associated issues of loyalty, proper etiquette, ethics, social responsibility, etc, and these men's relation and impact on society. These are the ethics, ideals, and principles that are included in a black belt report and in which our gentry tradition is grounded..

The book starts with a very brief section on the pertinent Chinese history and another chapter on the Chinese World View, discussing the framework from which the foundations sprung and/or reinforced. The real value of the book lies in the next two chapters: Confucianism (including Mencius and Hsun Tzu) and Taoism as they are the most pertinent to martial arts study. The book finishes with other philosophical ideas and legalism during the beginnings of the Chinese Empires. The author does a decent job of comparing the various schools of thought, how the traditions interrelate, and how they interact with society and politics at large. It is clearly designed to be an overview and springboard from which more detailed study can be launched.

The academic nature of the material requires attentive reading, but the author covers the subject matter at an undergraduate level, making the book laborious but not exhausting to read. All things relative, however, the book does a good job balancing length and detailed explanation. In other words, you get a lot out of it for only having to read 114 pages (although the shortage of pages makes one wonder why the book is still over 20 dollars). Of course, the subject matter is not catered to the martial arts perspective, but the themes of social responsibility, self-development, and morality that are prevalent in the book when discussing these philosophies are consistent with the lessons taught in the martial arts. It allows us to better understand the framework that allowed the martial arts to become a vehicle for self-cultivation. Still, the lack of martial artist specificity makes it somewhat a tangential reading (but a good one for Asian studies in general). This and the price per page keeps the book from being a must read, but it will certainly provide a strong foundation for a better understanding the culture of many martial arts.


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